Survey 2 Flashcards - final

Christopher Dresser. Sea Urchin Vessel designed by Dresser for Linthorpe Art Pottery c.1879-82 Christopher Dresser. Signed bowl for the Linthorpe Art Pottery, c. 1880. Glazed earthenware.

Christopher Dresser, Moon Flask with Crane and Fish Motifs, Minton, British, 1870 Tile, Christopher Dresser for Minton, ca. 1875, Earthenware,

Christopher Dresser, Toast Rack, British, manufactured by Hunkin & Heath, 1881, Medium: Silver plate Christopher Dresser, James Dixon & Sons (maker),1879, electroplated nickel silver with ebony handle

1893 Columbia Exposition in Chicago, Japanese Pavilion

Philip Webb, Morris Chair, Morris, Marshall, & Co. (1861–75), Textile by William Morris, 1860s, Medium: oak, turned, with brass castors and fittings; upholstery covers of wool and mohair

Philip Webb, The Backgammon Players, Morris, Marshall, Faulkner & Co., Painted by Sir Edward Burne-Jones, 1861, Medium: Painted pine, oil paint on leather, brass, copper

William Morris's printers mark. (this appeared in nearly all the books published at Kelmscott) ‘The Works of Geoffrey Chaucer,” Edited by FS Ellis, Published by The Kelmscott Press, June 1896

William Morris, Acanthus, 1874. Printed distemper from wood blocks on paper; William Morris, Brother Rabbit, 1880–1. Indigo discharged and block printed cotton.

D.G. Rosetti for William Morris and Co., Sussex side chair, Black painted bent wood and wicker, 1865

William Morris (designer) and Philip Webb (architect), Red House, Bexleyheath (southeast London), 1860 Architectural drawing of the Red House, Philip Webb, 1859, England. Museum no. E.62-1916

Furnishing Chintz, c.1850, Roller Printed glazed cotton. (Included in Henry Cole’s “False Principles” Exhibition, 1853-55.)

R.W. Winfield of Birmingham, Gas Jet Lamp in the shape of a convolvulus,1848.; (Iincluded in Henry Cole’s “False Principles” Exhibition, 1853-55.)

Wallpaper illustrating the Crystal Palace, probably produced by Heywood, Higginbottom & Smith, about 1853 – 55, Manchester. Museum no. E.158-1934.

The Grammar of Ornament, Chinese No. 3, Plate LXI

The Grammar of Ornament, Indian No. 4, Plate LII and Indian No. 6, Plate LIV

W.W.N. Pugin, Motto Bread Plate, c. 1850. Earthenware and colored inlaid decoration, Minton and Co.

A.W.N. Pugin, Table, c.1847, Carved Oak

A.W.N. Pugin, Wallpaper Design, c. 1851. For Palace of Westminster. Pencil and wash on paper.

A.W.N. Pugin, Wallpaper Design, c. 1851. For Palace of Westminster. Pencil and wash on paper.

Claude-Marie Ferrier, The Great Exhibition, 1851, Sideboard of Carved Walnut by Fourdinois 1851, Salted paper print Dickinson Brothers, Views of the Exhibition, Color Lithograph, 1851

John Nash, Stuffed Elephant and Howdah from India, The Indian Court, Crystal Palace, 1851.

Dickinson Brothers, Views of the Exhibition, Color Lithograph, 1851

Henry Cole for Felix Summerly’s Art Manufacture, designed 1846, made 1846-71. Made by Minton and Co. Earthenware.

The Crystal Palace

Dickinson's Comprehensive Pictures of the Great Exhibition of 1851, painted for Prince Albert, by Messrs. Nash, Haghe and Roberts

Eli Whitney's Cotton Gin Patent Drawing, 03/14/1794 [National Archives Identifier: 305886]; National Archives and Records Administration Records of the Patent and Trademark Office Record Group 241

Robert Stephenson, The Rocket, 1829

Imperial Federation Map of the World, from The Graphic, July 24, 1886

“Exhibit of American Negroes at the Paris Exposition” 1900 (data visualizations)

Café Museum, 1899, Adolf Loos, Austria Untitled, Café Museum Chair, 1899, Adolf Loos, Bent beech, stained brown and polished, cane work

Necklace, 1901–02, Charles Robert Ashbee, Silver and gold Dragonfly' Corsage ornament, René Lalique, 1897 – 1898, Sculpted chrysoprase

Raoul-François Larche, Loïe Fuller design Table lamp, Bronze, Maker: Siot-Decauville

Porte Monumentale on the Place de la Concorde and Exhibition Poster for 1900 Exposition Universelle in Paris

Hector Guimard, Paris Metro, 1900

Hector Guimard, Postcard

Hector Guimard, Banquette (For the Castel Beranger.), c. 1897

Hector Guimard, Castel Beranger, Paris. 1895–1898

Henry Clemens van de Velde. Tropon, l'Aliment Le Plus Concentré (Tropon, the most concentrated nourishment), 1899

Bloemenwerf House (with chair) for van de Velde and Séthe, Ukkle, Belgium, 1896 (home designed by Van de Velde and gardens designed by Maria Sèthe)

Richard Riemerschmid, Model no. 1459, Manufactured by Vereinigte Werkstätten, Cast and Wrought brass, German, 1898

”Jugendstil.” In Germany Cover of “Jugend” magazine by Otto Eckmann.

Tiffany Studios, Mosaic Curtain at the Palacio de Bellas Artes, Mexico City, 1909–1912 Jacques Gruber, Grand Hotel Ciudad de Mexico, Tiffany “like” glass ceiling, 1895-1899

Clara Driscoll, Dragonfly Lamp, Leaded Opalescent Glass, Tiffany Studios, c. 1900 Wisteria Lamp by Clara Driscoll

Frances MacDonald, “The Glasgow Institute of Fine Arts,” 1896

“Glascow style” or “Modern Style” in Scotland. The Room de Luxe at The Willow Tearooms, Charles Rennie Mackintosh and Margaret Macdonald

Detail of the interior of Palais Stoclet and of the preparatory design by Gustav Klimt for the mosaic friezes of the main dining (sketches are in the collection of Museum of Applied Arts, Vienna

Palais Stoclet, 1905-1911, by the Viennese architect Josef Hoffmann for the wealthy Belgian banker Adolphe Stoclet

Koloman Moser, Goblet, Manufactured by Bakalowits & Söhne, Vienna, Austria, 1901

Antoni Gaudi, Peephole and Door Handle, designed for Casa Calvet, Brass, Barcelona, Spain, 1898-1899

Emile Gallé , "Ombellifères" (cow parsley) Cabinet, ca. 1900

Émile Gallé, Vase, Cameo glass with enamel decoration, 7 7/8 x 5 ¼ in. (20 x 13.3 cm), c. 1890

Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849), Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, Edo period (1615–1868), ca. 1830–32

Alphonse Mucha, Job Cigarette Papers, 1896, Color lithograph Jules Cheret, La Loie Fuller, 1897, Color Lithograph

Peter Müller-Munk, "Normandie" Water Pitcher, 1935, Manufacturer Revere Copper and Brass Company, Rome, NY, Chrome-plated brass

Jean Dunand and Jean Dupas, Detail Chariot of Aurora panels for Grand Salon of Normandie, c. 1935, Colored lacquer, gilt and silver lacquer

Normandie, Photograph of the First-Class Dining Room, 1935

A.M. Cassandre, Poster (Normandie Cie Gle Transatlantique French Line), 1935, Lithograph

Paul Colin, Josephine Baker, “Le Tumulte Noir”, Paris, 1929

Aaron Douglas, Opportunity: A Journal of Negro Life, 1927

François Bazin, ‘figure of the Spirit of Triumph’ Mascot for Isotta Fraschini Car, 1920s, nickel silver plated bronze

François Bazin, "Femme Mangbetu" featured on Citroën's car competing in the "Croisière Noire" in 1924

Poster for Léon Poirier's film, La croisière noire (Black journey), 1926

La Croisiere Noire: Expedition Citroen Centre-Afrique Photographs by Georges-Marie Haardt. Paris: Librarie Plon, 1927

Eileen Gray, “Dragon” or “Serpent” Armchair 1917–19, lacquered wood

Eileen Gray, ”Lit Pirogue” (Canoe Daybed), before 1922, lacquered wood

Juliette Levy commissioned Gray to design her “rue de lota” apartment’s interior (1922–24)

Eileen Gray, Screen, c. 1923, Lacquer on wood

Jean Dunand, Vase, 1925, Copper with gold

Jean Dunand (1877–1942), Vase, circa 1930, partially lacquered maillechort

Jean Dunand (1877–1942), Four-Panel Screen, circa 1927 lacquered wood

The Paris Colonial Exhibition ("Exposition Coloniale Internationale", International Colonial Exhibition), Poster, 1931

Jacques-Emile Ruhlmann, George Fouquet, Corsage Ornament, 1923, Jade, onyx, diamonds, enamel, and platinum

Cartier, Egyptian Sarcophagus Vanity Case, 1925, Gold, platinum, carved bone, sapphires, emeralds, diamonds, onyxes, and enamel

Teapot, Jean Elysée Puiforcat; 1928, silver, walnut; A set of Deauville pattern silver flatware, Jean Elisée Puiforcat, Paris, circa 1937

André Groult (1884-1967), Chiffonnier, Paris, 1925, Galuchat, beech, mahogany, ivory Andre Groult, Chambre de Madame, Paris Expo 1925

Jacques-Emile Ruhlmann, Dressing Table, 1925, Oak with amaranth and mahogany veneer; ebony and ivory inlays

Jacques-Emile Ruhlmann, Grand Salon in the Hotel d’un Collectionneur, at the Paris 1925 Exhibition

Left: The Bon Marché’s pavilion; Right: Galeries Lafayette pavilion

Victor Horta, Pavilion, at the Paris 1925 Exhibition Belgian

The Exposition’s poster, designed by Robert Bonfils, c. 1925

The Rietveld-Schroder House, 1924 in Utrecht, Netherlands

Gerrit Rietveld [1888-1964] ; execution Gerard van de Groenekan [1904-1994], Red and blue chair

Theo van Doesburg, Composition décentralisée, 1924, Gouache on board De Stijl: Internationaal maandblad voor nieuwe kunst (Theo van Doesburg’s long-running publication (1917–32))

Herbert Bayer, Universal Typeface, 1925

Walter Gropius, Bauhaus, 1925-6 Postcard sent to Jan Tschichold with aerial photograph of Bauhaus Dessau. Building: Walter Gropius, 1926. Photo: Junkers Luftbild, 1926.

Margarete Schutte-Lihotzky, The Frankfurt Kitchen, 1927

Kitchen at 1923 exhibition by Benita Koch-Otto

Joseph Hartwig, Chess Set, 1924

William Wagenfeld, Table Lamp, Glass, brass silver plated, 1924

Marianne Brandt, Teapot, Metalwork and Ebony, 3 ¼ x 4 ¼ x 6 ½ in., 1924

Afrikanischer Stuhl (African Chair), Gestell: Marcel Breuer, Gunta Stölzl, 1921, Oak, Cherry, Painted in blue, different reds, yellow, gold.

Anni Albers Black White Yellow 1926, re-woven 1965 Anni Albers , Sample, 1926/65, Cotton and linen

Peter Keler, “Bauhaus Cradle”, 1922, Diameter of 13 cm x 14 cm, Metal

Lyonel Feininger, Cathedral of the Future, woodcut, 1919

Large Motors Factory, AEG Berlin-Humboldthain, 1912

Electric tea kettle, c. 1908-1909, Peter Behrens; Manufacturer: AEG

Peter Behrens, Poster for AEG, c. 1910

Aleksandr Rodchenko, “Lengiz. Books on all the branches of knowledge,” advertising poster for the Leningrad Department of Gosizdat (State Publishing House), 1924

Liubov Popova, Textile Design c.1924, Pencil and ink on paper Liubov Popova, Space Force Construction 1921, Oil, with wood dust on plywood

Vavara Stepanova, Design for Sport Clothing, 1923

Aleksandr Rodchenko, Design for USSR Worker’s Club, Chess Table, Black and red India ink and gouache on paper, 1925 Paris

The Exposition’s poster, designed by Robert Bonfils, c. 1925 Aleksandr Rodchenko, Cover of Catalogue for the 1925 Paris Exposition, Lithography, 1925

Eileen Gray, exterior of E-1027, Roquebrune-Cap-Martin, France, 1926-29

Eileen Gray, interior of E-1027, Roquebrune-Cap-Martin, France, 1926-29 Eileen Gray, “E1027, Adjustable Table, Breakfast Table”, 1927

Charlotte Perriand, Revolving Armchair, 1928, Manufacturer: Thonet Frères Perriand exhibited design aptitude from a young age, as seen in this 1927 dining room scheme.

Le Corbusier (Charles-Édouard Jeanneret), Pierre Jeanneret, Charlotte Perriand, B306 Chaise Lounge, c. 1928

Le Corbusier (Charles-Édouard Jeanneret), Pierre Jeanneret, Charlotte Perriand, Grand Confort, 1928

Paimio Sanatorium, Alvar and Aino Aalto, 1929–33, Paimio, Finland

Aleksandr Rodchenko, USSR Worker’s Club, 1925 Paris Exposition

Le Corbusier and Pierre Jeanneret, Interior of Pavillion de L’Esprit Nouveau, 1925 Paris Exhibition

Konstantin Melnikov, Soviet Pavilion at the Paris Exposition Internationale des Arts Décoratifs et Industriels Modernes, 1925

Pavillon de l'Esprit Nouveau was a model home constructed for the 1925 International Exhibition of Modern Decorative and Industrial Arts in Paris, France. The building was designed by Le Corbusier

From: Kate Ezra, The Royal Art of Benin: The Perls Collection in the Metropolitan Museum of Art, 1992

Plaque: Warrior and Attendants, Artist: Edo artist, 16th–17th century, Nigeria, Igun-Eronmwen guild, Court of Benin, Brass

Jan Tschichold. Sabon typeface, 1964–67

Victor Horta, Hotel Tassel, 1893. First floor landing with view towards staircase, Brussels.

Left: Victor Horta, Hotel Tassel, 1893. Main façade and Iron railings, 1893. Brussels.